Mesa/Boogie TriAxis Bedienungshandbuch

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Inhaltsverzeichnis

Seite 1 - Owner's Manual

O O G I E B M ESA Owner's Manual

Seite 2 - Hello from the Tone Farm

PAGE 6OFFINMIDITHRU OUTON/LIFTON GROUNDMIDITHRU OUTOFFINON/LIFTON GROUNDOFFINMIDITHRUOUTON/LIFTON GROUND12SWITCH4312SWITCH43RECORDREAR PANEL:PHANTOM P

Seite 3 - Table of Contents

PAGE 7OFFON/LIFTON GROUND12SWITCH43RECORD OUTPUTABINMIDITHRUOUTOFFINMIDITHRU OUTON/LIFTON GROUND12SWITCH43RECORD OUTPUTRETURNSENDFX LOOPABREAR PANEL:

Seite 4 - IMPORTANT SAFETY INSTRUCTIONS

PAGE 8DYNAMIC VOICEPRESENCEMASTERLEAD 2 DRIVEGAIN TREBLE MIDDLE BASSLEAD 1 DRIVE4012356 7 8 9THE CONTROLSGAIN01TREBLE23MIDDLE45GAIN: This is by far t

Seite 5 - PROGRAM/ CH

PAGE 9LEAD 1 DRIVE8 9LEAD 2 DRIVETHE CONTROLS: (Continued)BASS: This control blends in the lower frequencies and its’ effectiveness, again, depends

Seite 6 - FRONT PANEL: (Continued)

PAGE 10PRESENCEMASTER (Cont.): desired level. This minimizes the possibility of blowing speakers or eardrums in the event the engineer has an extrem

Seite 7 - PROGRAM/CHANNELPRESET

PAGE 11the DYNAMIC VOICE) work well with a setting of 1.0 or 2.0. Lead sounds seem to support higher settings of 3.0 through 7.0 with the craziest

Seite 8

PAGE 12OUTPUT567891043210A BREST AREANOTE: It is possible, either through a certified phone instructed technician in your area, or by sending

Seite 9

PAGE 13THE MODESThe architecture of TriAxis, though vast, is quite simple. Its’ eight pre-amp circuits, or modes as we refer to them, are laid out in

Seite 10 - REAR PANEL:

PAGE 14Go ahead...Crank it! Rhythm Green loves to rock. With the GAIN Control at 10 and the Midrange also high, this mode is one of the coolest solo

Seite 11 - REAR PANEL: (Continued)

PAGE 15Like Green, Yellow Rhythm includes a dynamic bright circuit that transforms the GAIN control into an additional tone control. Again, like Green

Seite 12 - THE CONTROLS

Hello from the Tone Farm...You, smart player and all around intuitive human, have put your trust in us to be your amplifier company. This is someth

Seite 13 - THE CONTROLS: (Continued)

PAGE 16LD 1: This group of three modes is probably the older, more tradition based of the Lead Modes in TriAxis. They all have one thing in common an

Seite 14 - DYNAMIC VOICE

PAGE 17LEAD MODES: (Continued)GREEN: (Continued) this mode, making sure it had the softest, sweetest clip possible from a group of tubes. We put it

Seite 15

PAGE 18for inaccurate playing. We like to think of these modes as having the built in qualities of a good teacher. What you put in is what you get out

Seite 16 - REST AREA

PAGE 19spends enough time to let it...into a virtuoso of feeling, soul, and statement. It growls with ferocity in the low range, staying tight and urg

Seite 17 - THE MODES

PAGE 20Now that you’ve read about each mode in depth, you should be more familiar with them and able to choose the appropriate one for your particular

Seite 18 - THE MODES: (Continued)

PAGE 21Your TriAxis now has the Version 2.0 software installed in its’ processor. This software incorporates many improvements, both visible and invis

Seite 19

PAGE 22CONTINUOUS CONTROL SOFTWARE: (Lingo Continued) 4. CONTROLLERS: These are “Channels” which information travels upon in the Midi domain. The Mi

Seite 20 - LEAD MODES

PAGE 23CONTROLLER ASSIGN SUB - ROUTINE: (Continued) STEP 2: Choose a Parameter. Press any left or right arrowed key under a parameter display and

Seite 21 - LEAD MODES: (Continued)

PAGE 24IMPORTANT TO READ NOW! “RULES OF VALUE”1. There are fifteen positions of change and it is possible to change in either a negative or positive

Seite 22

PAGE 25VALUES OF CHANGE: SUB-ROUTINE (Continued)STEP 2: Assign a Value. Start with the first parameter that you assigned a controller to, “TRUST US

Seite 23

Table of ContentsFRONT PANEL: EDITING: PRESETS / PROGRAMS / PARAMETERS __________________________________________________________ 1-2MAPPING: PRESE

Seite 24 - MODES OVERVIEW

PAGE 26Mindblowing! Just watching the display windows changing is worth all you coughed up for this baby, isn’t it? What did you say ? you aren’t ge

Seite 25 - VERSION 2.0

PAGE 27V1 V2 V5MESA12AX7AMESA12AX7AV3MESA12AX7AV4MESA12AX7AMESA12AX7A12AX7AALL TUBESBack Panel of TriAxisFront Panel TriAxis Top ViewRIGHT SIDELEFTSID

Seite 26 - PRESS 3 TIMES

PAGE 28BAINPUTSINPUT LEVELLINEINSTSPEAKERSBA8 OHMS4 OHMS4 OHMSMODERNDEEPEXTENDHALFDRIVE321SHIELDED CABLEUN-SHIELDEDCABLE 43SWITCH RECORD OUTPUT RETURN

Seite 27 - PARAMETER KEYS

PAGE 29BAINPUTSINPUT LEVELLINEINSTSPEAKERSBA8 OHMS4 OHMS4 OHMSMODERNDEEPEXTENDHALFDRIVE43SWITCH RECORD OUTPUT RETURN FX LOOPSENDBAOFFINMIDITHRUOUTON/

Seite 28 - BASS PARAMETER

PAGE 30BAINPUTSINPUT LEVELLINEINSTSPEAKERSBA8 OHMS4 OHMS4 OHMSMODERNDEEPEXTENDHALFDRIVE43SWITCH RECORD OUTPUT RETURN FX LOOPSENDBAOFFINMIDITHRUOUTON/

Seite 29 - HAS STOPPED

PAGE 31BAINPUTSINPUT LEVELLINEINSTSPEAKERSBA8 OHMS4 OHMS4 OHMSMODERNDEEPEXTENDHALFDRIVE43SWITCHRECORDOUTPUT RETURN FX LOOPSENDBAOFFINMIDITHRUOUTON/LI

Seite 30 - 4.5 0.0 0.0

PAGE 32BAINPUTSINPUT LEVELLINEINSTSPEAKERSBA8 OHMS4 OHMS4 OHMSMODERNDEEPEXTENDHALFDRIVE43SWITCH RECORDOUTPUTRETURN FX LOOPSENDBAOFFINMIDITHRUOUTON/LI

Seite 31 - TriAxis Top View

PAGE 33BAINPUTSINPUT LEVELLINEINSTSPEAKERSBA8 OHMS4 OHMS4 OHMSMODERNDEEPEXTENDHALFDRIVE43SWITCH RECORD OUTPUT RETURN FX LOOPSENDBAOFFINMIDITHRUOUTON/

Seite 32 - SUGGESTED WIRING #1

PAGE 34BAINPUTSINPUT LEVELLINEINSTSPEAKERSBA8 OHMS4 OHMS4 OHMSMODERNDEEPEXTENDHALFDRIVESTEREO SIMUL - CLASS 2: NINETY43SWITCHRECORD OUTPUT RETURN FX

Seite 33 - SUGGESTED WIRING #2

PAGE 35BAINPUTSINPUT LEVELLINEINSTSPEAKERSBA8 OHMS4 OHMS4 OHMSMODERNDEEPEXTENDHALFDRIVE43SWITCHRECORDOUTPUT RETURN FX LOOPSENDBAOFFINMIDITHRUOUTON/LI

Seite 34 - SUGGESTED WIRING #3

READ AND FOLLOW INSTRUCTIONS OF PROPER USAGE.IMPORTANT SAFETY INSTRUCTIONSRead these instructions.Keep these instructions.Heed all warnings.Follow all

Seite 35 - SUGGESTED WIRING #4

PAGE 360123456789DYNAMIC VOICEPRESENCEMASTERLEAD 2 DRIVELEAD 1 DRIVEBASSMIDDLETREBLEGAINPROGRAM / CHANNELPGM/CH0123456789DYNAMIC VOICEPRESENCEMASTERLE

Seite 36 - SUGGESTED WIRING #5

PAGE 37PGM/CH8.0 5.0 4.0 4.5 0.0 6.5 4.04.0 3.5PGM/CH8.0 5.54.03.50.0 6.5 4.0 4.06.0PGM/CH7.0 5.05.04.5 0.0 3.04.52.0 0.0PGM/CH8.06.04.03.0 4.5 0.05.0

Seite 37 - SUGGESTED WIRING #6

PAGE 38PGM/CHPGM/CHPGM/CHPGM/CHPGM/CHPERSONAL SET 1MODE:PERSONAL SET 2MODE:MODE:PERSONAL SET 3MODE:PERSONAL SET 5MODE:PERSONAL SET 4PICKUPPICKUPPICKUP

Seite 38 - SUGGESTED WIRING #7

PAGE 39PGM/CHPGM/CHPGM/CHPGM/CHPGM/CHPERSONAL SET 1MODE:PERSONAL SET 2MODE:MODE:PERSONAL SET 3MODE:PERSONAL SET 5MODE:PERSONAL SET 4PICKUPPICKUPPICKUP

Seite 39 - UN-SHIELDED

PAGE 40OUTPUTRHYLD1LD2SW 1 2 3 4FX LOOPSHIFTLOOPSWMODEDYNAMIC VOICEPRESENCEMASTERLEAD 2 DRIVELEAD 1 DRIVEBASSMIDDLETREBLEGAINPROGRAM/CHANNELP

Seite 40 - PROGRAM / CHANNEL

O O G I E B M ESA Thank you for trusting MESA/Boogie to be your amplifier company and we wish you many years of toneful enjoyment from this handb

Seite 41

The Spirit of Art in Technology 1317 Ross Street Petaluma, CA 94954USA (707) 778-6565 FAX NO. (707) 765-150310/07/09

Seite 42

PAGE 1ON/LIFTOFFON GROUNDPROGRAM/CHANNELPRESETPGM/CHEXITENTRCOPY0PRESETNUMBEROUTPUTRHYLD1LD2SW 1 2 3 4FX LOOPDYNAMIC VOICEPRESENCEMASTERLEAD

Seite 43

PAGE 2FRONT PANEL: (Continued) TO ACCESS PROGRAMS (via the numeric keys): 1. Press the SHIFT key one time to access the programs.2. Selec

Seite 44 - TRI AXIS

PAGE 3TREBLEGAINPROGRAM/CHANNELPRESETEXITENTRCOPY01 23FLASHPGM/CHSHIFTOOGIEBMESAALL TUBE PREAMPLIFIEROUTPUT 1 2 3 4FX LOOP567891043210A

Seite 45 - O O G I E

PAGE 4COPYPRESETPROGRAM/CHANNELPGM/CHEXITENTRCURRENTMIDI NO. PROGRAM/CHANNELPRESETCOPY4FLASHESEXITENTRPGM/CHINOFFON/LIFTON GROUNDMIDITHRUOUTFRONT PANE

Seite 46 - 10/07/09

PAGE 5PROGRAM/CHANNELPRESETCOPY4FLASHESGAINOFFINON/LIFTON GROUNDMIDI IN JACKREAR PANELOUTPUTRHYLD1LD2SW 1 2 3 4FX LOOP567891043210A B

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